John Ford was a master filmmaker with an influential style.

A documentary encapsulating the career and Western films of director 'John Ford' , including clips from his work and interviews with his colleagues.

John Ford and John Wayne — a friendship and professional collaboration that spanned 50 years, changed each others’ lives, changed the movies, and in the process, changed the way America saw itself. It was a relationship that reflected all the elements and all the paradoxes of 20th century America — generosity of spirit, abuse of power, a sense of loyalty, and a restless nationalism that didn’t quite know what to do with itself.

Documentary on the making of "The Searchers" (1956), starring John Wayne and directed by John Ford, with outtakes, behind-the-scenes footage and interviews with many of the surviving cast and crew.

Dreaming the Quiet Man’ includes interviews with aficionados of Ford like, Martin, Scorsese, Peter Bogdanovicz, Jim Sheridan, William Dowling, and Joe McBride. There is mesmeric archive and rare photographs of the making of the film. The main location of the documentary is Ford’s ancestral homeland of Connemara, on the west coat of Ireland, where his parents were born. We meet Ford’s cousins, the Feeney’s who tell the story of Ford’s parent’s departure from Ireland after the Great Famine and the young Ford’s return to Ireland in 1922 to visit his cousins the Thornton’s and saw their house being burned down by the infamous Black and Tans. Ford, under the pretense of scouting locations for a movie, gave money to the IRA. We travel to Portland Maine where Ford grew up and went on to become a director in the first bloom of Hollywood. The boy made it good but Ireland was always on his mind.

John Wayne, Henry Fonda and James Stewart discuss working with John Ford

A short length work by revered critic and theorist Shiguéhiko Hasumi and Shô Miyake, editing together John Ford's thematic system of “throwing” across many of his films. Edited according to which and how much each throwing scene was written about in Hasumi’s John Ford book, this film serves as a definitive version of a collage film initially created by Shinji Aoyama ten years ago. Aoyama, who passed away in March 2022, never saw the completion of his teacher’s book. Recognizing this, Hasumi recommended that Shô Miyake create a definitive version of the collage film, allowing him total creative freedom within a 60-minute runtime limit.

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Video interview with Ford's grandson, Dan Ford about the director and his home movies.